Richmond Art Museum
2018 Class Workshop Description:

PAINTING WATER REFLECTIONS IN OIL
October 5 & 6, 2018
9:30 a.m. - 3:30 p.m.

Class will cover the basic principles of oil painting with regard to painting water and its reflections. After the basics are covered, we will start by painting a rowboat and then move to dusk and afterglow on larger bodies of water. For those who have studied with Douglas before, this overview of principles is always a good review, and no matter what the subject, these principles are key, and new discussions and tips are added each season. Each day’s demo will include simple discussions on composition, massing, building form, light and shadow, near and far, capturing and developing atmospheric distance, and depending on your own style, knowing when a work is finished (learning how to not overwork your painting). Students will work in their own style/technique so that the finished work is their own. Douglas will overview his palette and concepts his work entails.

Students will mix paints and learn to mix basic strings of color to help comprehend the preparation/set up to prepare to paint. Students will work on small canvases, and the emphasis will be on capturing the time of day, atmosphere, and the reflections and movement in the water, in a quick concise way based on the covered principles. Depending on the skill level of each student, students are able to grow and develop at a rate that is to their comfort. Demos and individual discussions/instruction will help each student begin to reach the preliminary goals they are striving to meet. Plan to produce several studies and at least one or two larger paintings. Douglas will provide photos to paint from. Plan to bring notebook/sketchbook and enjoy some demos, along with some great stories to help you remember these principles that are the foundation of Douglas’ teaching.

Douglas’ Biography
Douglas David has painted his way across the country, capturing the beauty and spirit of the things he loves- tranquil country landscapes, sunrises and sunsets on his favorite beaches, a simple pitcher of spring lilacs or peonies, a lemon, lime or a slice of watermelon on a checked tablecloth. Paintings that reflect comfort, warmth meaning and simplicity: similar to everything important to him- his close knit family, life-long friendships, creatively fulfilling work and giving his best. A recipient of numerous regional and national awards and honors, Douglas’ teaching is a way of giving back and sharing some of his journey with those who choose to study with him. For more detailed information, visit www.douglasdavid.com.

Class supply list:
Douglas will offer “BASIC PAINT KIT” which includes all the basic oils, brushes, palette knife, palette and canvas panels and medium for those who do not want to buy these supplies individually. You would need to bring some paper towels and rubber gloves. Kit $150.00, payable directly to Douglas David.

Or you can bring these supplies...(these are not absolute, just my way of getting to a good result)

French easel
liquin
mineral spirits

Oils - Utrecht (order from Dick Blick) Cad. Red Light, Aliz Crim., Phthalo Blue, Phthalo Green, Ultram. Blue, Ultram. Violet, Lemon Yellow, Yellow Green, Green Earth Hue, Sap Green, Prussian Green, Yellow Ochre, Ivory Black, large tube of “Permalba” White
OPTIONAL Oils - Greenish Umber Mixture, Burnt Sienna, Jaune Brilliant No 2. Holbein Ivory White, Cad Medium and Cad Red Dark
Paper Towels
disposable palette pad
palette knife
brushes- filberts or flats- #2,4,6 maybe 8 or 10 or rounds in these sizes if you prefer rounds over filberts.
a few throw away bristle brushes from hardware store in 1" and 2-2.5" sizes
a 1-2" foam brush from hardware store
Canvases - Quantity: 2-3 5"x7", 2-3 8"x10", 2-3 10"x20" or 12"x16" or 16"x20" (or whatever size desired for larger paintings)
And anything else student needs to help them paint well and feel comfortable.

Please prime all canvas with a thin coat of thinned down Cad Red light and Permalba white to make a pink or light red tone on canvas.

Douglas has a “suitcase of supplies” he brings along, it includes some recommended books, and some supplies in case a few students need a few items that are forgotten.

Class/Tentative Outline:

Day 1
1st hour: Welcome/Overview of Class.
2nd hour: Discuss principles with demos to explain ideas and concepts.
3rd hour: Mix Palette (Strings of color/organize your palette).
Lunch: Brown bag lunch.
Afternoon: Paint in studio.

Day 2
1st hour: Coffee and review and discuss individual challenges.
Morning: Demo and painting in classroom.
Lunch: Brown bag lunch.
Afternoon: Paint in studio.
Last hour: Group work from past 2 days and positive constructive critique with the focus on future and how to apply materials learned in workshop.

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