2022
INDIANA DUNES, A CLASSIC INDIANA FARM SCENE AND
INDIANA STATE FLOWER, PEONIES PAINTINGS
SELECTED TO PARTICIPATE IN ART IN EMBASSIES 2022
I am pleased that three of my paintings left my studio in Summer 2021 for a journey to Italy. Paintings of our Indiana Dunes National Park, a classic farm scene and Indiana’s State Flower, Peonies were chosen in late Spring by Mrs. and Ambassador Donnelly. The paintings will be hanging in an exhibition at the Embassy of the United States of America to the Holy See, Vatican City, Rome, Italy for the next few years. AIE has a public diplomacy mission achieved through cross-cultural dialogue and understanding through the visual arts. One way they realize this is through the exhibiting artwork in the public spaces of U.S. Embassies abroad, specifically in the U.S. Ambassadors’ residences. The Ambassadorial residences serve as the center for official state functions overseas, and the exhibitions become a part of the Ambassadors’ cultural mission. For these exhibitions, they strive to curate themes which foster dialogue and provide platforms for cultural outreach. I was very honored to be asked by Imtiaz Hafiz, Curator of Art In Embassies/U.S. Department of State to participate in the program and the new Ambassador, Joe Donnelly and his wife, Jill were especially excited to have my paintings.
2021
IU SCHOOL OF MEDICINE
Holiday Card 2021
PHOTOS SHOW HOW THE DECOR AT THE VICE PRESIDENT’S OFFICIAL RESIDENCE
HAS CHANGED THROUGH THE YEARS
Talia Lakritz, Insider, July 22, 2021
2020
CAPTURING A MOMENT IN TIME
ARTIST DOUGLAS DAVID BRINGS THE SAME EXPERTISE TO HIS TEACHING AS HE
DOES TO HIS PAINTING by Robert Kiener, Vero Beach Magazine - July 2020
2019
‘PUT ME IN, COACH’: Second lady Karen Pence embraces bigger role on 2020 campaign trail
by Maureen Groppe, USA Today - November 7, 2019
The room’s dominant art is a painting of Indiana’s state flower, the peony, on loan from Indiana artist Douglas David
who personally delivered it to the residence.
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RANDOM RIPPLINGS The Broad Ripple Gazette, December 6 - 19, 2019
STOWE MAGAZINE Summer 2019
ART EXHIBIT AT SOUTH SHORE CONVENTION VISITORS
Email from
Jeff Manuszak, Visual Information Specialist, Indiana Dunes National Park - June 5, 2019
Congratulations on being selected for our exhibit
celebrating the 61st National Park. Your work is on display
representing Indiana Dunes National Park.
There has been nothing but compliments on the art.
So, with much gratitude, thank you for your involvement and
support as an Artist-in-Residence at the dunes.
Your talents have spotlighted the national park
with your great success.
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Facebook Exhibit Opening Information https://www.facebook.com/events/285350105679678/
More about the venue and event:
https://www.nps.gov/indu/index.htm
https://www.nps.gov/planyourvisit/event-details.htm?id=5E89D560-E7BC-4FAB-543349E4544FC0D6
https://www.southshorecva.com/event/celebrating-our-61st-national-park/13396/
RANDOM RIPPLINGS The Broad Ripple Gazette, May 24 - June 3, 2019
OPENING RECEPTION FRIDAY NIGHT ON CAPITVA
Island Sun, February 15, 2019
The Captiva Civic Association is
hosting the Douglas David Paints
Seascapes and Florals art exhibition
and opening reception on Friday,
February 15 from 5:30 to 7 p.m. The
reception will feature new works by the
well-known local artist and include live
music, a donation bar and light hors
d’oeuvres.
David has painted his way across the
country, capturing the beauty and spirit
of the things he loves - tranquil country
landscapes, sunrises and sunsets on his
favorite beaches, a simple pitcher of
spring lilacs or peonies, a lemon, lime
or a slice of watermelon on a checked
tablecloth. His paintings reflect comfort,
warmth, meaning and simplicity, like
everything important to him - his
close-knit family, lifelong friendships,
creatively fulfilling work and giving his
best. A recipient of numerous regional
and national awards and honors, David’s
teaching is a way of giving back and
sharing some of his journey with those
who choose to study with him.
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This exhibit runs through March 7
and is open to the public on Tuesdays,
Wednesdays and Thursdays from 11 a.m.
to 1 p.m. or by appointment by calling
472-2111.
Captiva Civic Association will also host
an afternoon demonstration with Douglas
David on Thursday, March 21 beginning
at 2 p.m. at the Captiva Civic Cener.
Learn the principles in his teaching and
how he builds a wave, captures the light,
the shadow and the colors in the wash
back as he paints a seascape oil. There
is no charge for admission but seating is
limited. For reservations, call 472-2111.
The Captiva Civic Center is located
11550 Chapin Lane on Captiva.
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CIVIC ASSOCIATION TO UNVEIL NEW EXHIBIT DURING OPENING RECEPTION
Captiva Current, by Tiffany Repecki, February 13, 2019
The Captiva Civic Association will host an opening reception this week for its newest exhibition, “Paints Seascapes and Florals” - a solo exhibit that will feature paintings by Douglas David.
The event will take place on Feb. 15 from 5:30 to 7 p.m. at the Captiva Civic Center. Open to the public, there will be music, light hors d’oeuvres and a donation bar.
Molly Barbee, art chair at the CCA, explained that David paints in oils and that the exhibition will spotlight some of the well-known artist’s new works, including seascapes with florals mixed in. “And some island scenes,” she said. “A few fun scenes of Captiva.”
Barbee noted that an interesting thing about David’s work is he uses very soft or subtle colors, which make his pieces “warm.” He also specializes in creating waves and beaches that appear touchable. “How a wave rolls out in the water,” she said.
David will be present at the reception for a meet-and-greet and to discuss his work. “He’s also going to have some explanation boards or education panels in addition to his art pieces,” Barbee said, noting that they will outline his processes and techniques and how he accomplishes them. “We’ve never done that before,” she said. “I think it will be kind of interesting.”
His first exhibit at the center, David had a small showing at the Captiva Island Yacht Club a couple years ago. He has conducted plein air classes at the center in the past, and he teaches in Naples, Bonita Springs and Michigan. David is also instructing some classes for BIG ARTS for the current season.
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He is the recipient of numerous regional and national awards and honors. “He travels all around - he exhibits,” Barbee said.
During the reception, Tad Greene and his trio will perform live. “He plays every kind of music,” she said.
The exhibition will run through March 7.
On March 21, the CCA will host “Afternoon with the Artist, David Douglas” at 2 p.m. David will demonstrate the principles in his teaching and how he builds a wave and captures the light, shadow and colors in the wash back, and then will paint a seascape oil. The event is free, but seating is limited. “It’s an opportunity to see a well-known artist paint things like seascapes and florals,” she said.
To reserve a seat for the demonstration, contact the CCA at 239-472-2111. Resident and visitors are invited to stop by for the reception. “Come see something new,” Barbee said, noting that it is the third exhibition out of four that are scheduled for the season. “Totally different exhibits - each one is totally different than the others.”
For more information, visit online at www.ccacaptiva.org or call 239-472-2111.
The Captiva Civic Center is at 11550 Chapin Lane. The gallery is open for viewing on Tuesdays, Wednesdays and Thursdays from 11 a.m. to 1 p.m.; viewings also available by appointment.
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2018
RANDOM RIPPLINGS The Broad Ripple Gazette, November 30 - December 13, 2018
A PEEK INSIDE THE VICE PRESIDENTIAL RESIDENCE
OF KAREN AND MIKE PENCE USAToday.com, August 23, 2018
A HOMETOWN ARTIST RETURNS: ART ASSOCIATION EXHIBITS
PAINTINGS OF DOUGLAS DAVID kokomotribune.com, by Carson Gerber, August 15, 2018
KOKOMO ART ASSOCIATION EXHIBIT
Kokomo Art Center, August through September 16, 2018
Kokomo native Douglas David is an immensely talented painter, teacher and designer. His interest in art began at home drawing and attending art fairs with his mother, Bertie, who is an artist herself. He later attended Herron School of Art, studying Visual Communication, graduating with honors. Douglas worked his way up to creative director at Melvin Simon, however, he subsequently left and opened his own graphic design studio. While working as a graphic designer, he always had the desire to paint full time and spent much of his free time painting. Summer classes with Frank Mason of New York’s Art Students League gave him the foundation and skills to mold his dreams of painting full time into reality. He continued to refine his loose, fluid brushwork and signature palette of harmonious blues and violets.
Douglas has painted his way across the country, capturing the beauty and spirit of the things he loves - tranquil country landscapes, sunrises and sunsets on his favorite beaches, a simple pitcher of spring lilacs or peonies, a lemon, lime or a slice of watermelon on a checked tablecloth. Paintings that reflect comfort, warmth, meaning and simplicity: similar to everything important to him - his close knit family, life-long friendships, creatively fulfilling work and giving his best.
This vision, passion, and dedication to painting has garnered Douglas numerous regional and national awards. In 2001, his design was chosen by popular vote as the Indiana license plate. Douglas was awarded the Distinguished Hoosier Award in 2006.
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He is a member of several professional organizations including the Southern Vermont Art Center, Salmagundi Club of New York, Indiana Plein Air Painters, Indiana Artists, Naples Art Association, IU Alumni Association/Herron School of Art, Palette & Chisel Academy/Chicago, Bryan Memorial Gallery of Vermont, Kokomo Art Association and is a Signature Member of the Hoosier Salon.
His paintings have found their way into public and private collections in Indiana and across the country. Currently, his painting “Red, White and Blue Peonies” decorates the sunroom of the vice president’s residence, Number One Observatory Circle, in Washington, D.C.
Douglas currently teaches workshops in drawing and oil painting in Connecticut, Florida, Michigan, Vermont, and his home state of Indiana. Teaching is his way of giving back and sharing some of his journey with those who choose to study with him.
Douglas David Fine Art/Gallery & Studio is open by appointment and located at 7172 N. Keystone Avenue, Indianapolis. Information on art and classes may be found at www.douglasdavid.com.
The Kokomo Art Association is privileged to have a Douglas David painting in our permanent collection to share with the community. The warmth and unmistakable beauty of his art is an inspiration.
Kokomo Art Center is located at 525 West Ricketts, on the grounds of Highland Park. Exhibit runs now through September 16th and hours are Tuesday through Saturday from 1-4pm.
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HOW KAREN AND MIKE PENCE - AND THEIR PETS - HAVE PUT THEIR PERSONAL
STAMP ON THE VICE PRESIDENTIAL RESIDENCE IndyStar.com, January 14, 2018
2017
RANDOM RIPPLINGS The Broad Ripple Gazette, December 15, 2017 - January 4, 2018
Douglas David showing some of his larger paintings at the annual holiday party that was held
on December 1st at Douglas David Fine Art, 7172 N. Keystone Avenue.
INDIANA DUNES PAINTINGS SELECTED TO PARTICIPATE IN ART IN EMBASSIES 2017
I am pleased that 2 of my Indiana Dunes paintings left my studio in 2017 for a journey to Africa. The paintings will be hanging in an exhibition at the U.S. Embassy in Freetown, Sierra Leone for the next few years. AIE has a public diplomacy mission achieved through cross-cultural dialogue and understanding through the visual arts. One way they realize this is through the exhibiting artwork in the public spaces of U.S. Embassies abroad, specifically in the U.S. Ambassadors’ residences. The Ambassadorial residences serve as the center for official state functions overseas, and the exhibitions become a part of the Ambassadors’ cultural mission. For these exhibitions, they strive to curate themes which foster dialogue and provide platforms for cultural outreach. I was very honored to be asked by Imtiaz Hafiz, Curator of Art In Embassies/U.S. Department of State to participate in the program and the new Ambassador, Maria E. Brewer was especially excited to have my paintings of the Dunes as she grew up in Indiana.
INDIANAPOLIS ARTS COUNCIL’S HIGH ART PROGRAM 2017
My year as one of 10 Indianapolis Artists selected through an application process last September to participate in the Indianapolis Arts Council’s High Art Program has come to an end. I thoroughly enjoyed the time my art showed up around Indy on billboards. The program is a partnership with Fairway Outdoor and places art on a billboard and displays throughout Indianapolis during the calendar year. Visit the Indianapolis Arts Council’s website for the 2018 Artists selected and their location details... my art started in September of 2016 in Greenwood on County Line Road, then was sighted over the Winter up on North Michigan Road, and after that in early Spring, it was spotted at 465 and 70 on the east side of town. After that, it was seen on the west side near Rockville Road and 465, and then most recently it had been spotted on West 38th Street just east of Moeller Road. It received incredible coverage, and I was so excited, as always, to participate in another of the Indianapolis Arts Council’s great projects.
NEW ART EXHIBITION AT IND TO FEATURE LOCAL ARTISTS’
REPRESENTATIONAL WORKS
aviationpros.com, November 13, 2017
Source: Indianapolis Airport Authority
Three talented Hoosier artists - whose works feature local Indianapolis landscapes, seasons, and a blend of dreams and reality - will be on display this winter at the Indianapolis International Airport (IND).
The Indianapolis Airport Authority and the Arts Council of Indianapolis have selected artists Douglas David, Derrick Carter and Benny Sanders to be featured at the Indy Airport beginning Nov. 13, through March 11. All three artists focus on representational art - creations with images that are clearly recognizable, even though the image may not be true to life.
“Passengers and airport visitors will particularly enjoy the stylistic contrast between the work of Douglas David and Derrick Carter,” said Julia Muney Moore, director of public art with the Arts Council of Indianapolis. “They are almost as opposite as two artists can be, but both root their work in the real world.”
Local artists have had their works displayed at the Indy airport since the opening of the midfield terminal in 2008, as part of IAA’s commitment to connect travelers to the local Indianapolis culture and community.
“Customer experience is crucial to the Indy airport’s top standing among airports worldwide,” said Mario Rodriguez, IAA’s executive director. “This exhibition provides a visually rich customer experience that provokes thought, encourages discussion, and expands thinking - and that’s what travel does as well. Both art and travel open the mind and enrich the individual.”
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Experienced artist Douglas David takes an impressionistic approach to his work featuring Indiana’s landscape through the four seasons. His work will mesmerize travelers with vibrant colors capturing the beauty of local scenery.
Derrick Carter blends dreams with reality to interweave pop-culture figures with visions from his own mind, encouraging onlookers to live life unrestricted. Carter uses sand as his medium to combine his graphic design training and penchant for fine art to create visually intriguing pieces.
Self-taught artist Benny Sanders’ sketches depict the downtown stretch of the White River in monumental scale, using only charcoal on canvas. Sanders’s elemental work showcases the body of water - a subject that has fascinated artists for over a hundred years - in a dark and ominous manner.
The exhibitions debut Nov. 12, with pieces by David and Carter displayed in the Ticket Hall. Sander’s work is located in the Concourse B Exhibition Case.
Public art displays - in both public and post-security areas of the airport - are curated in a partnership with the Arts Council of Indianapolis. The IAA and Arts Council work collaboratively to review and select artwork that is reflective of the Indianapolis art community. This partnership allows for art exhibitions to be displayed every quarter, with up to 12 different exhibitions presented each year.
“We are thrilled to partner with the Indianapolis International Airport to provide travelers with this important first impression of our city,” said Dave Lawrence, president & CEO of the Arts Council of Indianapolis. “The city has one of the top airports in the country and partnerships like this make the airport uniquely Indianapolis.”
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I participated in the Art at the Indianapolis International Airport temporary art program in late 2017 through early 2018. It was great fun. (I always enjoy the programs our Indianapolis Arts Council organizes and operates and try my best to participate.) Special thanks go out to Katie Norman/Indianapolis Airport Authority, Lindsey Lord and Julia Mooney-Moore/Indianapolis Arts Council, and Amy Carroll and Christopher Carroll for their help with the program.
LOCAL ARTIST’S PAINTING PICKED FOR VEEP’S RESIDENCE
Indianapolis Monthly Buzz, September 18, 2017
KOKOMO-NATIVE’S ARTWORK HUNG AT VICE PRESIDENT’S RESIDENCE
Kokomo Perspective, August 16, 2017
by Alyx Arnett
Editor
editor@ kokomoperspective.com
A small piece of Kokomo
now hangs at the Vice
President’s Residence in
Washington, D.C.
Douglas David, a Kokomo-
native who now
lives in Indianapolis, was
contacted by the Indiana
Arts Commission, saying
there was a wall at the VP
Residence that Second
Lady Karen Pence was
hoping to decorate with
one of David’s peony
paintings.
“I was very honored
by her interest and the
request,” said David.
The artist showed
Pence what he had available
online in the size she
was wanting, and the Second
Lady picked out the
peony painting from a
selection of approximately eight paintings. As the transaction was wrapping
up, David offered
to drop off the painting
at the residence himself,
as he had a trip planned
to teach a painting workshop
in Connecticut.
On July 12, David arrived
at the residence,
located in Washington
D.C. on the grounds of
the U.S. Naval Observatory,
with the painting in
hand. Pence Tweeted a
photo of her and David
on the steps of the mansion
with the large painting
that said, “A piece of
Indiana at the VP Residence!
Douglas David
delivered a beautiful
painting of his artwork.
The peony is the IN state
flower. Thx u.”
David got a tour of
the residence and saw
the sunroorn where the
painting will be hung.
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“It was fun. It’s just
very interesting to see
the interior and have iced tea with her. It was
beautiful,” he said. “It’s
a big, old home on some
beautiful grounds. It
made me more interested
in history, and I was
quite excited to see that
they Tweeted about it.”
The Second Lady complimented
David’s talent
and said she was pleased
to have a piece of her
former state with her in
Washington D.C.
“Douglas David is
a talented artist with
a gift of capturing our
country’s natural beauty,”
said Pence. “I was
thrilled when he offered
to loan us the painting
of Indiana’s state flower,
the peony, to display
in the Vice President’s
Residence. The painting
hangs in the sunroom
of the residence, one of
my favorite rooms, and
reminds us of the great
Hoosier state every time
we look at the painting.”
In addition to now
having a painting at the
VP Residence, David
also has three pieces at
the Indiana Governor’s
Residence, the Indiana
State Fair, Indiana Dunes
National Park, National
Bank of Indianapolis,
Kokomo-Howard County
Public Library, and the
Seiberling Mansion, to
name a few.
The artist, a Taylor
High School graduate,
has been painting fulltime
for more than 20
years and focuses namely
on landscapes, seascapes,
city life, and still
lives throughout the U.S.
and Europe. David has a
studio in Indianapolis.
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RANDOM RIPPLINGS The Broad Ripple Gazette, August 18-31, 2017
Local artist Douglas David delivering a painting to Second Lady of the United States Karen Pence,
at the residence of the Vice President of the United States in Washington, D.C.
FRANK MASON IN VERMONT: ARTIST AND TEACHER
American Art Review, by Mickey Myers, August, 2017
I was quoted in the August 2017 issue of American Art Review.
I am really excited to be included in this exhibition honoring my oil painting teacher, Frank Mason.
by Mickey Myers
This summer the genius of Frank
Mason (1921-2009) can be discerned
in Frank Mason in Vermont: Artist
and Teacher at the Bryan Memorial Gallery
in Jeffersonville, Vermont. Exuberant,
flamboyant, and inspirational, Mason is
paired with some of the students he taught
and encouraged over six decades. Twenty-two
works painted in Vermont by Mason
are installed alongside works by fifty former
students. The exhibit references the
month-long trips to Vermont to paint en
plein air, which Mason led annually from
1968 until shortly before his death.
During a Mason Month in Vermont, it
was not unusual to see painters at their
easels, lined up artist after artist (sometimes
as many as fifty at a time) alongside dirt
roads in the picturesque environs of northern
Vermont. Mason had a penchant for
Stowe and other nearby locations in Lamoille
County, and for Peacham (population
732) in the Northeast Kingdom of Vermont,
where he owned a home with his
wife, Anne. Mason’s relationship to Vermont
could be considered the culmination
of a rich and steady career as a painter and
beloved instructor of classical realism at the
Art Students League in New York City.
Frank Mason was born in Cleveland,
Ohio, to a Shakespearean actor (his father)
and a painter, pianist and violinist (his
mother). An only child, Mason embraced
his parents’ outgoing natures even before
he selected a field of study for himself. His
family moved to New York City in 1932,
where Mason was enrolled in the first class
of the Music and Arts High School, while
attending evening classes at the National
Academy of Design. By age sixteen, he received
a scholarship at the Art Students
League, where he met the man who was to
be his teacher, mentor and friend, Frank
Vincent DuMond (1865-1951).
Mason recalled DuMond telling him,
“You seem to have a good sense of humor.
Good thing. You’re going to need it!” Mason
was eager for guidance, and DuMond
felt he needed to be shepherded differently than most, as he was clearly gifted at such a
young age. He invited Mason to his landscape
workshops in Pownal, Vermont, in
exchange for his tending the gardens of
DuMond’s home. It was hard work, all
summer long, but from it Mason became
synchronized to a cadence and an intimacy
with nature that was to continue for the
rest of his life.
As their relationship matured, DuMond
asked Mason when he was going to
start teaching. This prophetic story as reported
by Tom Torak credits Mason with
replying that “...he had never thought
about teaching, he just wanted to paint.
Dumond looked him squarely in the eye
and said ‘Frank, it’s not yours to keep for
yourself.’ ” When DuMond died at age
eighty-five in 1951, Mason, age thirty,
took over his classes at the Art Students
League, a position he held for fifty-one
years, instructing in classical realism.
Mason wore the mantle of the Masters
with dignity, humor and a strong sense of
lineage. The pattern of winters in New York City and summers in Vermont, firmly
instilled by DuMond’s schedule, was at the
core of Mason’s beliefs as an artist. In his
work and teaching, his personal aesthetic
followed the Old Masters. He sought the
effect of light on form as seen through atmosphere,
and as he explained to his young
wife, Anne, “It’s hard to teach atmosphere
in the classroom. Ah, but when you see it
in the country...”
The first Mason Month in Vermont
was organized in 1967 with the help of
Mason’s League classroom monitor Tom
Ranges, who recalls Mason told him, “I’ll
do it if I have a place to go, and don’t have
to do the prep work.” A dozen League students
rented shared cabins in Warren, Vermont,
and spent a month dedicated to
painting. Twice a week, Mason met with
the students in the field at locations agreed
upon with Ranges, and an agenda for the
month, with class critiques on Saturdays,
was established that would last with little
variation for forty years.
Eventually settling the workshop program
in Stowe, Vermont, Anne Mason offers,
“Frank thought Stowe was perfect... It
had appropriate housing; the people were
so welcoming, and as Frank said, ‘You can’t
kill those mountains.’ ” Attendance was limited
to fifty, first come, first served. While
many may have been League students, others
joined in; there were no grades or credits,
and roll was not taken. Participants paid
a one-time fee for the entire month.
Each week of instruction was divided
into two days with Mason instructing and
critiquing, and three days students painted
on their own, with a monitor who managed
the logistics of the perpetually changing
locations. In the days before cell
phones, with classes scheduled according to
the vicissitudes of the weather, painting in
early morning some days and late afternoon
others, the monitor took on the role
of conductor, keeping everyone together
for the sake of the art.
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Most Mason students mention one or another of three central teaching approaches
in their recollections of Mason’s workshops. The Prismatic Palette is most
obvious and basic to all participants in snapshots
that are shared of the workshops - a
way of organizing paints that facilitates painting landscapes en plein air in order to
capture momentary passages of light. “The
light effect,” which Walter Mosley summarizes
as “the main concentration of light,”
was the driving topic of discussion through
all Mason critiques, as he inquired of its
whereabouts and painted it into a student’s
canvas, should it be missing. Finally, the
story telling: Anne Mason reports when her
husband saw even one student’s eyes glazing
over, he knew it was time for a story,
and punctuated his workshops with elaborate
story telling that transferred the wisdom
of the masters to the situation at hand.
As Joel Coplin remembers, “Mason always
had a better story,” no matter the topic.
Shari Dukes Kiener recalls, “We would
meet with Frank every Tuesday and Thursday,
either for sunrise, starting at 4:30 a.m.,
or for sunset, starting at 4:30 p.m. We arrived an hour before Frank, to get our
paintings started and ready to capture the
light effect. The sunrise sessions could be
tough. There were cold, rainy mornings in
early June, and it was still dark, and often
drizzling rain. We were trained to show up
rain or shine, and in the event of rain, to
soldier on under our umbrellas, in our rain
gear, and with plastic over our easels. Then,
without fail, when Frank would arrive to
join us, the rain would stop.”
Saturday afternoons were spent at Harry’s
Barn (literally, a barn) with Mason critiquing
the week’s work. The day was
capped with a dinner prepared by Anne, to
whom her husband explained that the participants had worked so ferociously all week they needed the encouragement of
social time together.
Mason himself painted only occasionally
during workshop weeks, and never with
the class except to illustrate a point on a
participant’s canvas. “What stays with me,”
Corinne Russo remembers, “is the joy he
got from putting the perfect stroke on the
canvas, bringing a subject to life... with a
big infectious smile on his face.” Mason
usually did one or two demos during the
month, from peonies in a vase to a thundering
waterfall.
The energy and concentration required
by teaching outdoors took at least a day of
recovery before he turned his attention to
his own work - often accompanied by a
student who painted nearby without commentary.
In July, he began to paint his own
work in earnest until returning to New
York City for the school year.
To be acknowledged by him seemed to
be a privilege, which Fiona Cooper Fenwick
remembers often didn’t come during
one’s first workshop. “To be critiqued by
Frank was a privilege, and yet every critique
was meant as a lesson for the whole
class. Most often, a critiqued painting
would be saved by the student, untouched
after Frank had worked on it, as a visual
lesson to be kept.”
Mason’s voice boomed as he erupted
with laughter at the folly of life or art. He
would breathe in the fresh morning air as
he stepped into a tableau of students at
their easels, proceeding toward whatever
caught his eye on a student’s canvas. Gradually,
others would peel off from in front
of their easels and before long, the first
student and Mason would be surrounded
by onlookers. He would demonstrate directly
on a student’s canvas because as he
said he could show what he meant better
than he could explain it. As they moved
from easel to easel, Mason’s intimacy with
nature and painting prevailed over his familiarity with the student names. “Dear
Love,” he would call one or another,
“Now we are getting somewhere.”
At six foot three inches tall, Mason
could be “an intimidating figure especially
for new students, but kind at the same
time,” Coplin submits. Jan Brough suggests, “His commanding presence was
thrilling to experience as he spent much
time and energy passing on his skills.” Russo
states that Mason was “larger than life in
many ways: in his persona, his exuberance,
his boundless energy, his extraordinary skill
and his passion for painting.”
Many of his former students reference
the life-altering effect of Mason’s instruction.
Leslie Watkins says, “It was the beginning
of what I consider my genuine life
as an artist. Up until then, everything else
had been in preparation.” Despite his exuberance,
Mason would acknowledge, “It’s
not me. It’s what I’m teaching. I’m teaching
them a way to live their whole life.”
Regardless of where the credit lies, to this
day a group of Mason students returns to
Stowe every June, though without their
leader, with enough skills and ideas to fill
the month, painting together.
Anne Mason explains her husband was “...intent on passing onto his students the skills to progress indefinitely on their own: to teach themselves. His pleasure came when his students went beyond the classroom. How?... by learning the basic concepts and the way to approach every painting.” Mason himself mused that “I’d like to be remembered for handing the torch onto the younger generation in the same way it was handed to me.” Or as Douglas David remembers, Mason said, “It is not about this painting; it is about the next 100.”
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PEONY PAINTING IN THE RESIDENCE OF VICE PRESIDENT Twitter, July 12, 2017
I delivered a peony painting to the residence of the Vice President of the United States earlier this month.
I am very honored and so excited to be included in their collection!
HGTV May, 2017
Exciting News! The second Season of HGTV’S Good Bones aired in May.
My paintings were included on many of the episodes.
Season three’s production is currently under way.
Be sure to stay tuned so you don’t miss the many surprises they will have in store for us next year!
Be sure and visit www.hgtv.com/shows/good-bones.
2016
RANDOM RIPPLINGS The Broad Ripple Gazette, December 16 - January 5, 2017
Douglas David Fine Art, 7172 Keystone Avenue, held its annual Holiday Party on December 2nd.
Above right: Douglas showing his line of donut paintings to Nancy Beck.
ARTS COUNCIL Holland Sentinel, April 2, 2016
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Join the oil painting workshop - with Douglas David
Staff report
This spring, artist Douglas David will lead a three-day oil painting workshop at the Holland Area Arts Council. The event will take place Apri1 29-May 1.
David has painted his way across the country, capturing the beauty of the things he loves - country landscapes, sunrises and sunsets, his favorite beaches, a pitcher of spring lilacs or peonies, a lemon, lime or slice of watermelon on a checkered tablecloth. He strives to produce paintings that reflect comfort, warmth and simplicity. A recipient of many regional and national awards and honors, David teaches to share his journey.
Students aged 18 and older will spend the weekend practicing their craft alongside this professional artist. This workshop will cover the basic principles of oil painting as students paint florals and still life fruits and vegetables.
David will lead discussions on basic composition, massing, building form, light and shadow, and depending on your style, knowing when a work is finished. Students will work in their own style, but David will overview his palette and the concepts his work entails. He delivers sound principles of painting that are an essential foundation for any painting practice, beginning or seasoned.
A resident of Indianapolis, David has been painting full time for more than 20 years, studying the palette of the late Frank Vincent DuMond under Frank Mason of The Art Students League of New York. For more information about David, visit his website www.douglasdavid.com.
This is the third workshop Douglas David has hosted at the Holland Area Arts Council. Each class has approached a different subject matter and allows artists to work in their own style while learning from an encouraging instructor.
Students will meet at the Holland Area Arts Council at 150 E. Eighth Street in Downtown Holland. Call (616) 396-3278 or go online to www.hollandarts.org for more information and to register.
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2015
RANDOM RIPPLINGS The Broad Ripple Gazette, December 18, 2015
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Douglas David showing one of his paintings at the annual holiday party at Douglas David Fine Art, 7172 N. Keystone Avenue. |
LOCAL ARTISTS PRESENT WORK AT ART IN THE VILLAGE
Gail Zipporah-Saunders, The Winnetka Current, July 6, 2015
It’s the way they view the world, abstractly in colors of red and blue, or pastoral scenes and paintings of cows and sheep.
That and hand-made jewelry and clothes were some of the work the artists displayed at the North Shore Art League’s Art in the Village show held Saturday-Sunday, June 27-28, at the Hubbard Woods Park in Winnetka.
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Artist Douglas David (left) receives an honorable mention from Winnetka’s Linda Nelson, the executive director of North Shore Art League, at Art in the Village Saturday, June 27, in Winnetka. Photos by Jill Dunbar/22nd Century Media - See more at: www.winnetkacurrent.com/local-artists-present-work-art-village#sthash.2kfrxfjr.jStv1MOa.dpuf.
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SUMMER SOLOS ART SHOW WILL SPAN NATIONS
Andrew McKeever, Manchester Journal, June 19, 2015
MANCHESTER Boys on horseback, girls marching in coronas of feathers - native peoples of Honduras will move with quiet pride on the walls of the Southern Vermont Arts Center, alongside landscapes of summer pastures.
Among the artists in a group show of Summer Solos, Tom Remp will exhibit photographs from his series, “Veterans of the Football War” (what Americans would call soccer,) a conflict between Honduras and El Salvador 40 years ago.
He went to Honduras for the commemoration of the 40th anniversary, he said, and found himself the only international journalist there to witness the celebrations of culture and memories of conflict.
“The U.S. doesn’t often think of veterans from other wars,” he said.
Remp came to SVAC as an artist and now serves as director of marketing and pubic relations. His work will appear in SVAC’s summer show - opening Saturday, June 20 - along with regional and national artists including Margret Carde and Richard Weinstein, Barrack Evans, Lesley Heathcote, Keith Hoffman, Caryn King, Robert Lafond, John Olson and Mark Tougias.
Twelve artists, two photographers and the rest painters, will show work in the Southern Vermont Art Center’s Yester House galleries, along with two sculptors outside, said Sarah Hall Weaver, SVAC’s director of galleries and development.
The show will blend different styles and schools, with a smattering of Vermont-ish imagery, but the exhibit will offer a range of styles and themes, she said.
Some are member artists, and others will become members when they join in a solo exhibit.
“I like to work with our membership and bring new people in,” she said. “I just started to look around and it all happened very organically. There’s always new people; we always want to see new art work. At the same time we have an array of artists in our ‘long-term pot.’”
One artist familiar to many locals, Barrack Evans, will show photographic studies of Vermont as he gets underway with running Battenkill Sports, a bicycling shop in Manchester.
Indiana artist Douglas David, making his debut here, has a long and distinguished body of work to point to. He describes his work as “representational, but looser, or an impression of a scene or subject, more of a free spirit.”
He paints exclusively in oils - landscapes, seascapes, floral and still lifes, exploring scenes in different times of year.
“I’m kind of going through the seasons but not so literally,” he said. “I‘m able to put together things that balance and juxtapose with each other.”
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David came to the attention of the arts center, and vice versa, through a student he had taught in Florida who had a home in the Manchester area and thought he should show here. He will also teach a class on floral painting at the beginning of the show, and one on landscapes toward the conclusion of the exhibition, he said.
“It’s nice when I teach a class at an exhibit - I can take students into it to see it and say ‘here’s what I’m talking about,’” he said.
While this will be his first exhibit at SVAC, it’s not his first time through Vermont. One of his images, a landscape of sheep in a pasture he spotted on a previous trip just south of Manchester where a farmer was working in a garden.
Another artist marking her first show at SVAC following a long career, watercolorist Sabina Alcorn, comes from nearby Cambridge, N.Y., by way of Italy and New York City, where she worked in textile design. When she moved to Cambridge about 30 years ago she developed an interest in gardening, which led on to enlarging her interest in painting flowers.
“I had always painted flowers one way or another but (upon moving to Cambridge) it seemed like a natural progression to start painting them more in a traditional watercolor style,” she said.
She makes an effort to capture the transient fragility of her subject matter in the way she goes about painting them, she added in an email.
“I rarely work from photographs, and given the short life span of a cut flower I rely heavily on my ability to work from memory - and on my imagination,” she said. “This may appear something of a paradox, considering the high degree of realism of my work, but in fact makes perfect sense if you consider that the flowers I paint invariably wilt long before I get around to putting the finishing touches on the actual painting.”
She applies her colors in glazes over a period of weeks, she said, watching as the final image appears on her paper while the subject flower slowly wilts in its vase. She sees the process as a way of giving permanence to something inherently fleeting and ephemeral.
The solo show will highlight the diversity and national reach of the arts center and the global community it increasingly operates in where the dividing lines are falling by the wayside, Hall Weaver said.
“Solo shows highlight singular artists,” she said. “It gives you a big idea of who they are and how they’re working.”
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MY VIEW FROM THE CORNER The Broad Ripple Gazette, May 15 - May 28, 2015
Douglas David shares his thoughts as an artist selling his
wares for
two decades at the Broad Ripple Art Fair.
By Deborah Coons
The 1970s band, Creedence Clearwater Revival, wrote the song lyrics... ‘Down on the
corner, out in the street. People come from all around, just to watch the magic’.
Perfect words to describe the Broad Ripple Art Fair. I am proud to say I have been part
of this showcase of art for twenty years. The fair, with its root set deep in Indiana‘s art
culture, is celebrating its 45th year and it has been bringing excellent art and crafts to
local, regional and national visitors since 1970.
1970, the year of important movement in Vietnam, the year ‘The Me’ generation began,
the year the Beatles broke up, the year IBM introduced the floppy disc and of course, the
year Monday Night Football debuted. A lot has happened in the world since that year.
And here in Indiana, the Broad Ripple Art Fair has weathered through... literally.
Through a tornado, blistering heat, and unseasonably cold weather, it has been here, every
spring, letting people know the dull days of winter are over and it is time to come together
to see great art.
This art fair has evolved into one of the premier arenas where artists like myself can transition from local to regional to national players. It provides unique opportunities for us to come together and introduce our best stuff to dealers, collectors, interior designers, etc. There are other options to be sure, but the face-to-face interaction is tough to top. When it comes to visual art, hardly anything beats firsthand viewings and chat-ups with the artists and craftsmen themselves. This fair, attracting over 15,000 visitors, offers exhibitors easy access to potential clients over a two-day period. Fairs as large as this one are indispensable for artist who aspires to play the game.
When I began my relationship with the Broad Ripple Art Fair two decades ago, my
family was very much involved. My mother and my grandmother agreed to come and
help me sell my stuff. Over the years, visitors recognized the two girls in my booth
and felt very comfortable asking them questions about my art and about my journey to
becoming a painter. And they loved hearing my grandmother’s colorful stories about her
flying days during World War II.
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Having success at this fair is considerably more complicated than decorating my booth
with art and waiting for something to happen. It demands endurance, attitude and
advance planning. I can’t just set up and sit here with my art and leave the rest to the
promoters. Fairgoers tend to gravitate toward those of us who are thrilled to be here, and
who demonstrate passion about what we’re doing. No art sells itself; someone has to step
up and sell it, and be entertaining in the process. Visitors can sense if we would rather be
somewhere else. My patrons appreciate warm welcomes and affable banter. It’s simple
and no more complicated.
It took three years of exhibiting here to get a footing and attract significant numbers
of buyers. People are reluctant to spend big bucks with artists they don’t know or have
never heard of, so each successful appearance makes the probability of sales that much
greater.
Another primary reason to be present here is to observe and interact with other artists
and network with fellow professionals. Knowing what my colleagues are up to not only
contributes to my knowledge base, but it cultivates lasting relationships that can lead to
joint shows, sales, cross-promoting and much more. Art fair participation has become
an integral part of my marketing plan and budget. Over the past twenty years, I have
exhibited in major cities along both coasts of Florida, Michigan, Kansas City and most
metropolitan areas along the northeast coastline.
And I have realistic expectations. I don’t bank on huge profits every year at every show,
but rather on strengthening relationships and meeting lots of interesting people, including
potential buyers who may take weeks or even months to decide whether or not to buy my
paintings.
Well that’s my view from “down on the corner, out on the street” at the Broad Ripple Art
Fair. I have looked forward to exhibiting here for twenty years. I’ll be here for the next
twenty. Come by my corner and visit.
Douglas David
www.douglasdavid.com
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BIG ARTS CELEBRATES A WEEK ON CAPTIVA Island Sun, March 6, 2015
For five days, BIG ARTS members and participants took to the streets and beaches of Captiva in the inaugural program, A Week On Captiva. They took a walking tour of historic Captiva, a tour of the Rauschenberg Estate, and participated in a three-day plein air workshop. Temperatures were cool, but the sun was bright, and the events were a hit.
BIG ARTS extends its thanks to committee chair Meri Kulina for creating and organizing the program, and to the program sponsors: The Sanibel Captiva Trust Company, David and Judy Baum, Barbara and Tom Dunham, Susan and George Heisler, Meri and Tom Kulina, and Penny Wilkinson.
2014
RANDOM RIPPLINGS The Broad Ripple Gazette, December 19, 2014
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Douglas David displays one of his paintings at the annual Holiday Show at Douglas David Fine Art, 7172 Keystone Avenue. |
STELLAR WEEKEND OF ART AND EVENTS Frank Espich, Indianapolis Star, 11/16/14
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The past weekend in Indy was exceptional for many reasons. First and foremost, Nov. 7 brought three local art icons to the surface for First Friday. Douglas David, known for his fine art and designing the Indiana state license plate, exhibited 24 new works within the City Gallery/Harrison Center. Kyle Ragsdale filled the main gallery with fresh works that were inspired from his recent retreat to the prestigious Vermont Studio Center.
At iMOCAs Fountain Square gallery, the sometimes elusive artist Paul Harris showed a 3D assemblage titled Wanderlust. His first show in nine years is one not to miss.
With the evening still young, we skated over to the Indiana Roof Ballroom where the annual Ronald McDonald House fundraiser was underway. Congratulations to Michelle Study-Campbell, who was named the new CEO of the Ronald McDonald House of Indiana. The event raised more than $160,000.
On Nov. 8, the Metropolitan Opera National Council (Central Region) held its Indiana District Auditions at the Hilbert Circle Theater. On hand was Grammy winner and Indiana University senior lecturer Sylvia McNair.
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A QUIET TIME JCC Update, Fall 2014
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Using an impressionistic palette with a harmonious combination of colors, I use a fresh, loose style to capture the timeless, simple beauty of the things I love: peonies, lilacs, landscapes, cityscapes and seascapes, says David. Natural beauty, warmth and depth ... these are reflections of an artist who is enjoying his journey.
A graduate of Indiana Universitys Herron School of Art, Douglas career has evolved from working in the field of advertising as a corporate creative director, to owning his own advertising and design firm, to where he is and wants to be today, painting full time.
His painting too, has evolved over the past 10 years, with his study of the classic approach to impressionistic painting with New Yorks Frank Mason/New York Art Students League and his study of the principles of classic painting of the late artist Frank Vincent DuMond. |
MORE LOCAL ARTIGRAS ON TAP By David Johnson, The Harbor Country News, 06/27/14
NEW BUFFALO - The third New Buffalo ARTigras will feature the works of local and regional artists along with live music along portions of Merchant and Thompson treets in downtown New Buffalo from 10 a.m. to 6 p.m. Saturday and Sunday, June 28 and 29.
An adjacent stretch of Mechanic Street, closed for the 2013 event, will remain open this year, providing access to the downtown and beach areas.
This years ARTigras almost didnt happen, but a group of New Buffalo Business Association volunteers led by Cathi Rogers wouldnt take no ARTigras for an answer.
Rogers, recently named president of the New Buffalo Business Association (NBBA), also is a board member for the Harbor Country Public Initiative who oversees that organizations annual wintertime Bird House Auction and serves as Marketing Director for the Michiana Humane Society. She also has organized large events and conferences for her two companies, Blackbook Connections and WCGuru.com.
I talked to some of the (NBBA) board members who knew me and knew that Id put on events before for the Humane Society and other non-profits in Indiana and Illinois... by sitting on the board for the Harbor Country Public Arts Initiative I clearly know a lot of artists, she said. So I said, Yeah, Ill be more than happy to take this over.
The previous years ARTigras had brought in more than 100 artists, mostly from out of the area. Rogers said the goal for the 2014 edition was to stay closer to home in several ways. I really wanted to stay local and regional. I appreciate what we had done (the first two years), but that was from an outside production company (Amdur Productions)... so I wanted to make sure we really focused on the flavor of the Harbor Country area, she said.
Amdur was originally set to organize this years ARTigras with the NBBA as its co-sponsor, but another ARTigras show scheduled for the same weekend in the Chicago area made it difficult to fill the New Buffalo with the desired number of artists.
The New Buffalo Business Association had co-sponsored the first two events. Taking over sole control of the re-tooled 2014 ARTigras, Rogers said the goal was to enlist about 40 artists over three months - an expectation has ended up being exceeded. We have 61 artists, she noted. All of them are within about a 20- to 30-mile radius.
In addition to people from close-by communities like New Buffalo, Three Oaks, Harbert and Bridgman, Rogers said artists from locales such as Stevensville, Buchanan, La Porte, Michigan City and Chesterton. Traveling the furthest will be participants from Wisconsin and Indianapolis.
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Among the artists and establishments scheduled to have booths at the New Buffalo ARTigras are: Susan Henshaw, Fritz Olsen and Martha Cares, Ronald Stec, Lisa Hermann, Covert Family Photography, Sand Pirate Janet Schrader, Vida Svabas, Brian Kissman, Julie Nitz, Hook Pottery Paper, Millies Antiques, Brenda McKnight, Sweet Pea Studio, Sue Rosengard, Leah Sherman, Dorothy Hughes, Heather Hanson, Jamie Johnson, Cathy Brown Designs, Hailee Hansen, Robert Williams, Brett Maniscalco, Airika and Max Kolenda, Harold Rutenberg, Don Brown, George Hermelink, James Andert, Laurie Schirmer Carpenter, Phyllis Norris and Justin Troisi.
A Chalk Art demonstration by New Buffalo High School art students also is planned.
Rogers said a committee composed of Roger Harvey, Kim Pruitt and Tim Rogers reviewed artists applying to participate in the event. She said first, second and third prizes will be awarded for ARTigras, with the judges being Bob Tibble, Pruitt and Tim Rogers. Bringing it in-house has been an opportunity for us to make sure that the marketing is localized. Were talking to the businesses, instead of bringing outside food vendors in, were working with the restaurants that are on the strip on Whittaker Street (including Davids Deli, Caseys New Buffalo, Bewsters Italian Cafe, The Stray Dog Bar & Grill, Nancys, Michigan Thyme Cafe and Villa Nova Pizzeria). Were making sure this is a city event as opposed to just blocking off a couple streets and saying no one else is really involved in it, Rogers said.
Live music will be presented on both days in the New Buffalo Savings Bank Parking Lot along Mechanic Street Those scheduled to perform include Cleve Hurricane Jean Jacques, Josh McCormack and Don Savoie.
Another new feature is a gallery and artisan tour map that will be available throughout the area and on the ARTigras grounds. Rogers said it gives directions to 32 Harbor Country galleries, custom furniture makers, jewelry shops and other art-related entities that are within both walking and driving distance so festival-goers can explore even more of what the local art scene has to offer. The Artisan Tour map covers the communities of New Buffalo, Union Pier, Lakeside, Harbert, Sawyer and Three Oaks.
Its a nice tour, she said. It gives you a whole weekend of art.
Rogers said NBBA members who helped her get things organized include Rose Strother (the organizations immediate past president), Dee Dee Duhn, Migs Murray, Julie Westergren and her husband, Tim Rogers. Volunteers from the New Buffalo Area Schools wrestling program are slated to help set up and tear down the booths and other equipment. Volunteers from HCPAI, the New Buffalo Arts Council also are in line to assist.
Rogers noted that the Michiana Humane Society is sponsoring a Meet and Greet event featuring adoptable pets from 1 to 5 p.m. Saturday, June 28, at the Keller-Williams Real Estate office near the ARTigras grounds along Mechanic Street (next to the Subway Restaurant).
For more on the 2014 New Buffalo ARTigras, go to newbuffalo.org/event/view/artigras1.
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NEW FEATURE, BANNER ARTIST OF THE ISSUE Broad Ripple Gazette, 05/14
To celebrate the 10th anniversary of the Broad Ripple Gazette in May 2014 we are featuring a year of local artists by allowing them to interpret our banner, while incorporating the words The Broad Ripple Gazette. Contact us at info@broadripplegazette.com to inquire if any open issues remain. Still looking for cartoonist, tattoo artist, pen and ink, etc.
Douglas David Kessler Bridge over Canal
Douglas David has painted his way across the country, capturing the beauty and spirit of the things he loves tranquil country landscapes, sunrises and sunsets on his favorite beaches, a simple pitcher of spring lilacs or peonies, a lemon, lime or a slice of watermelon on a checked tablecloth. Paintings that reflect comfort, warmth, meaning and simplicity: similar to everything important to him his close knit family, life-long friendships, creatively fulfilling work and giving his best. A recipient of numerous regional and national awards and honors, Douglas will be exhibiting for his 19th consecutive year at Broad Ripple Art Fair on May 17 and 18, 2014. Stop and see his work and meet him, or for more information, visit www.douglasdavid.com.
LEARN DYNAMIC SEASCAPES IN OIL Staff Report, Boca Beacon, 02/07/14
Learn dynamic seascapes in oil
Douglas David to come to Art Alliance
STAFF REPORT
He has painted his way across the country, capturing the beauty and spirit of the places he loves. A recipient of numerous regional and national awards and honors, Douglas David teaches painting in Michigan, Indiana and Florida, and enjoys sharing his journey with his students. His sessions at the Boca Grande Art Alliance will be called Dynamic Seascapes in Oil, and will be held on Monday, Feb. 10 through Wednesday, Feb. 12. This class will cover oil painting principles using the seascape as subject. Students will work outdoors after the introduction of basic concepts and methods, and will be free to use their own styles and techniques. Emphasis will be on quickly and concisely capturing the time of day, atmosphere and geographical elements along the coast. The same beach will be studied for all three days. Visit douglasdavid.com for more info. Register online at www.bocagrandeartalliance.org or call 964-1700.
2013
PEONIES BLOOM AT SEIBERLING Linda Ferries, Footprints,
A publication of the Howard County Historical Society, 08/13
The latest addition to the Howard County Historical Societys art collection the glorious and grand Peonies oil painting by county native Douglas David is now wowing visitors as their tour of the Seiberling Mansion takes them into the first-floor library.
The library, with its large windows and pastel walls, is a perfect location for the artwork unveiled June 14 at garden pARTy, the first activity in a series of mid-June events celebrating history, the arts and gardening.
The lovely late spring evening event honored Hoosier artist David, a Taylor High School graduate and award-winning painter with a studio in Indianapolis and exhibitions around the nation.
With the museum festooned with historic artwork from the HCHS collections, David unveiled his donation and greeted guests who enjoyed a buffet of appetizers and a selection of beverages. Over the course of the evening, guests gathered around his easel on the Seiberlings front porch as he applied color to canvas to create a small painting of a vase of peonies. Joining him were his parents father Herb and mother Bertie, long a celebrated artist in Kokomo herself.
For David, the donation of his work was a way to give back to his hometown.
I was back in Kokomo visiting family last year and decided to stop by the Seiberling, David said. It had been awhile since Id visited. I was moved the day I saw the museum. I have been there through the years, but something was different that day. I felt grown up. I remembered when the restoration was started.
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I remembered being there through the years. That day was different. Maybe I was different. I was so proud and so very happy with what I found and learned. I was impressed in many ways and the idea of donating came to mind right then.
After working with the historical societys events committee to create the evening, David hopes it is the first of many such activities to celebrate Howard County artists and support the museum.
I really wanted the evening to be bigger than my painting donation and the volunteers responded so enthusiastically, David continued. My hopes were to have them create a fundraising event and focus on the permanent art collection and keep it general enough to grow and evolve over the years. There is talk of bringing someone in each year who is significant in some way that relates to the arts dance, theatre, sculpture, literature, food and wine... And the rest is, well, HISTORY. They succeeded beyond my expectations.
Continuing his gift, David is making available high-quality giclee prints of the painting with a portion of the proceeds going to support the work of the historical society. The prints, at $150 each, may be ordered through the historical society by calling 765-452-4514 or through the on-line gift shop at the HCHS website: www.howardcountymuseum.org. All orders will be available for pick-up or delivery (additional charge for postage) about two weeks after ordering.
You can read more about Davids thoughts on the evening, and the importance of giving back, on the HCHS website under connect.
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PAINT, SHOW AND TELL Mark Wedel for mlive.com, The Grand Rapids Press, 08/22/13
Plein air painter Douglas David stands on the shore of Lake Michigan near Frankfort. David will be demonstrating his techniques at the 6th Annual Art Walk at Wau-Ke-Na on the William Erby Smith Preserve, in Fennville.
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PLEIN ART ARTISTS TO FEATURE WORK AT WAU-KE-NA ART WALK
GLENN On a recent trip to Lake Michigan, I took a photo of the lake. I was hoping to capture the beauty, the grandeur of a Great Lake on a summers day. What I got was a photo of the lake, and thats about it.
Indianapolis painter Douglas David knows the problem. The man I studied with for 11 years up in New England, Frank Mason... he always used to call the camera the one-eyed liar, because, hed say, it misses it, it edits it out. What it does is, it flattens out everything, and you dont get that atmosphere, that haze, the space between, he said.
David is a plein air artist, a painter who works out in nature to capture not just the scenery, but the spirit of what he sees, he said. Hell be the special guest painter of the 6th Annual Art Walk at Wau-Ke-Na on Saturday at the Southwest Michigan Land Conservancys William Erby Smith Preserve in Fennville.
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Plein Air Artists of West Michigan will be on site to paint, show and sell their work. David will be joining them. He hopes to paint on the Lake Michigan shore, but the Wau-Ke-Na also offers ponds, streams, forests, wetlands and prairie scenes to capture.
When taking his easel and palette out, Davids goal is to grab the atmosphere, grab the distance, grab the colors. The colors of all that water its just so beautiful up there, he said.
When Im painting out there, Im trying to grab the spirit of it.
David studied graphic design and worked in design and advertising for 15 years. Then, 20 years ago, he began my second career as a painter.
In his impressionistic paintings, David tries for the fresh and spontaneous. I dont like paintings that are overworked, he said.
But then, in on-the-spot painting of outdoor scenes, one cant spend time on details. A plein air painter has only a couple (of) hours. After that, the light has changed, he said.
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CAPTURING A LANDSCAPES SPIRIT
Mark Wedel for mlive.com, Kalamazoo Gazette, 08/22/13
Plein air painter Douglas David captures the shore of Lake Michigan near Frankfort. David will demonstrate his techniques at the sixth annual Art Walk on Saturday at Wau-Ke-Na on the William Erby Smith Preserve, in Fennville.
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PLEIN AIR ARTIST DOUGLAS DAVID TO BE SPECIAL GUEST AT WAU-KE-NA ART WALK
GLENN On a recent trip to Lake Michigan, I took a photo of the lake. I was hoping to capture the beauty, the grandeur of a Great Lake on a summers day. What I got was a photo of the lake, and thats about it.
Indianapolis painter Douglas David knows the problem. The man I studied with for 11 years up in New England, Frank Mason... he always used to call the camera the one-eyed liar, because, hed say, it misses it, it edits it out. What it does is, it flattens out everything and you dont get that atmosphere, that haze, the space between, he said.
David is a plein air artist, a painter who works out in nature to capture not just the scenery, but the spirit of what he sees, he said. Hell be the special guest painter of the sixth annual Wau-Ke-Na Art Walk on Saturday at the Southwest Michigan Land Conservancys William Erby Smith Preserve in Fennville.
Plein Air Artists of West Michigan will be on site to paint, show and sell their work. David will be joining them. He hopes to paint on the Lake Michigan shore, but the Wau-Ke-Na also offers ponds, streams, forests, wetlands and prairie scenes to capture.
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When taking his easel and palette out, Davids goal is to grab the atmosphere, grab the distance, grab the colors. The colors of all that water its just so beautiful up there, he said.
When Im painting out there, Im trying to grab the spirit of it.
David studied graphic design and worked in design and advertising for 15 years. Then, 20 years ago, he began my second career as a painter.
In his impressionistic paintings, David tries for the fresh and spontaneous. I dont like paintings that are overworked, he said. But then, in on-the-spot painting of outdoor scenes, one cant spend time on details. A plein air painter has only a couple (of) hours. After that, the light has changed, he said.
Hes out in the elements David has done winter paintings as well as summer.
He enjoys the challenge of plein air. His job is to capture the heart and soul of the place in a couple of hours.
Davids favorite scenes radiate tranquility and calm. Maybe thats why I like Lake Michigan.
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WELCOME ABOARD Daniel S. Comiskey, Indianapolis Monthly, Escape to our Great Lakes, 07/13
NAUTICAL BY NATURE
Clockwise from top left: The Vera Bradley room; old glass doorknobs repurposed as curtain filials; the neon sign of the bar; a stained-glass window salvaged from the old house; five of the nine beds in the dorm room; an antique bell, also from the former house; a painting of the Henke home by Douglas David above the fireplace; a little numbered sailboat outside of a bedroom; one of the many places in the house to sit and admire the lake (center).
GARDEN PARTY TO UNVEIL MORE THAN PAINTINGS Lindsay Eckert, Kokomo Tribune, 06/12/13
The Seiberling Mansion is home to more than history. Its the home to beauty. The magnificent mansion is filled with historical art that adorns the walls. So, the newest summertime event at the Seiberling is a perfect fit for its artistry.
The inaugural Garden pARTy will play host to paint, canvas and hometown charm as local artist Douglas David will reveal a painting he donated to the Howard County Historical Society during the event.
The grand unveiling is part of a bigger picture, one that aims to raise money for the Howard County Historical Society to help rehab and restore historical art for the community to enjoy.
Peggy Hobson, special events committee chairperson, said the Seiberling Mansion is the perfect spot to hang art rich in meaning and tradition. The Garden pARTy will showcase just that as it kicks off at 4:30 p.m. Friday with wine and cheese, the serenade of a harpist and an atmosphere of elegance.
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However, Hobson said, the spirit of the event is the history that lives in the paintings and architecture of the Seiberling, and thats something everyone can enjoy.
Whether youre interested in art or just history, the Seiberling Mansion is our art history its art history for us, Hobson said. In school, kids are exposed to politics, business and disaster history. All along, no matter what was going on, theres been creativity and art thats told our history. Its that art thats important to keep alive in small towns because it keeps our history alive. Art is an artifact, something of history we need to keep.
Although sipping pinot to help repair paintings is tantalizing for the tongue, the weekend festivities will also provide plenty of entertainment for eyes and ears.
Douglas David will be hosting a demonstrative painting session that night and people will be able to look around at paintings that are 75 years old displayed throughout the mansion, Hobson said.
As the artsy weekend continues, guests can try their hand at painting on canvas at the front steps of the Seiberling Saturday afternoon while sampling wine and cheese for Paint at the Seiberling from 1 to 3 p.m. Saturday.
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Dave Broman, Howard County Historical Society executive director, said inviting people into the mansion to experience and engage in the arts world is something crucial for Kokomo.
Educating and teaching people to be creative and learn about art is something were happy to host at the Seiberling; what better place to showcase a piece of art than in a piece of art itself, which is the Seiberling, Broman said about the architecturally ornate building.
Broman said whether guests stroll through the former homes halls, listen to the events harpist or pick up a brush to create something all their own, its a community event that focuses on the beauty of art.
Were always happy to introduce the Seiberling and its history to new people, then to give them the opportunity to see artwork. Its an exciting way to encourage people to come back and enjoy the beauty of the Seiberling or see it for the first time, he said. Its a place that has a remarkable history and well have art to showcase with similar histories.
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DOUGLAS DAVID ON STYLE Indianapolis Art&Antiques, 03/13
Style surrounds us. Fashion, architecture, literature, music and art they all carry their distinctive version of style. People have it too, in what they wear, their manners, even a presence or how they carry themselves.
Your home is an extension of your personal style. Its a mirror that reflects whats comfortable for you. Whether its a period style, a catalog style, an eclectic style or a style an interior designer gave you or helped you develop, your home projects a way of living youre comfortable with.
Just as we use different elements, such as hair, clothing and attitude, to develop our overall personal styles, many elements play a role in developing your homes style.
Current trends and popular lifestyles during a given time period all show up in our homes.
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Popular, trendy colors and fabrics, furniture styles such as classic traditional or contemporary modern, realistic, abstract or impressionistic artwork theyre all elements you bring in to play to showcase your style. Theyre snapshots of your taste.
Its the combination of these individual styles and how you assemble all the elements that makes up your overall style. Its an opportunity to tell your story and leave guests with a sense of who you are. Thats why your home should include things that make you comfortable, that stir warm thoughts and memories... things that you love.
In dance, smooth and flowing tends to be more enjoyable than forced and staged. Its no different with your home. This usually shows through when you allow yourself to choose the things youre naturally drawn to.
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If you connect with it, it will work in your home. Whether its a quirky chair, a great antique or a painting that spoke to you, following your heart allows you to discover and hopefully embrace, your style.
Douglas David knows all about following his heart and discovering his style. Its led to a following of patrons from across the U.S. who have embraced the loose, fluid style of his work. He paints what he loves, using his signature palette of a harmonious blend of blues and violets, to showcase his subjects simple, natural beauty.
Following my heart has given me the chance to connect with people. Every connection is a confirmation Im doing exactly what I should be. Who could ask for more?
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